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Scarlett could not believe her luck. For as long as she could remember, Brad Depp had been her heartthrob. Now, amazingly, she had stumbled across his secluded holiday home in the Bahamas, which not even the paparazzi knew about.
What is more, when Brad saw the solitary walker on the beach, he had offered her a drink, and as they talked he turned out to be as charming as she had imagined. And then he admitted that he had got a bit lonely these last few weeks, and although, because of his lifestyle, it would have to remain a secret, he would very much like it if she were to spend the night with him.
There was just one problem: Scarlett was married to a man she very much loved. But what you don't know can't hurt you, and he would never know. She would get a night of fantasy and Brad would get a little comfort. Everyone would be either as they were or richer for the experience. No one would suffer. With so much to gain and nothing to lose, what earthly reason could there be for Scarlett to resist Brad's fabulous come-to-bed eyes?
Baggini, J., The Pig That Wants to Be Eaten, 2005, p. 271.
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Okay, so we're talking about secret adultery here. Scarlett is no Hester Prynne so she won't have to wear a big red A on her chest. But are there other problems we can see with her desires? This is a blog about evolutionary philosophy and the fiction that it inspires, so let's consider this using all three of those subjects.
1. Evolution
We humans are a "K-selection" species that has evolved to invest heavily in child rearing (as opposed to "r-selection" species which go for quantity over quality). Such species generally "display traits associated with living at densities close to carrying capacity and typically are strong competitors in such crowded niches that invest more heavily in fewer offspring, each of which has a relatively high probability of surviving to adulthood." Although we've used our big brains, culture, and technology to recently push past the normal boundaries for carrying capacity, and contraception means sex is no longer just for reproduction, we still carry a host of evolved "side effects" from our evolutionary history. This includes making sexual intercourse flood our bodies and brains with chemicals that promote pair bonding. We can't completely overcome this biological heritage so our emotional reactions are there, which is why jealousy and the taboo against adultery remains strong in societies around the world and why polyamory (usually described as ethical non-monogamy) is something that only seems to work in theory for any extended population or stretch of time (as far as I know). Scarlett may rationally think she can have an intimate physical encounter with Brad without bringing any emotional baggage on board, but that's unlikely and so therefore something to consider.
2. Philosophy
Moral decision-making must consider the past, present, and future. Judgments are weighed about people's intentions, actions, and the consequences of those actions. In the field of philosophy, I see these as the separate domains of the three main camps of moral philosophers: virtue ethics, deontological ethics, consequentialism/utilitarianism. In this thought experiment, Scarlett is arguing that her unvirtuous actions will remain a secret so they will have no consequences. How do I know the consensual sex between Scarlett and Brad is unvirtuous? Because in this case, Scarlett knows she has to hide it from her partner. So, even though the night of fantasy may not have direct consequences for her partner, the evolutionary heritage discussed above means the intentions and actions will likely affect Scarlett directly (and therefore her partner indirectly). Especially when one considers that Scarlett knows that some part of her actions would be wrong and she will therefore be subject to feelings of guilt eventually. That brings me to the third part of my analysis.
3. Fiction
In my Response to Thought Experiment 75: The Ring of Gyges, I wrote about why people wouldn't all act horribly evil if they were granted the power of invisibility, which is very similar to the situation at hand. In that post, I mentioned Raskolnikov's inner turmoil in Crime and Punishment so let's finish with a passage from that novel, which is a classic illustration of the fate that likely awaits Scarlett.
(As a brief setup, this passage comes soon after the main character Raskolnikov has murdered a mean old woman so he could take money to pay off some debts. He gets called to the police station on a trivial matter about those debts the day after the murder and is questioned by a lieutenant named Ilya Petrovich. Raskolnikov confesses to him about the trivial matter, but keeps the murder to himself. Barely.)
Raskolnikov fancied that after his confession the clerk had become more casual and contemptuous with him, but—strangely—he suddenly felt decidedly indifferent to anyone's possible opinion, and this change occurred somehow in a moment, an instant. If he had only cared to reflect a little, he would of course have been surprised that he could have spoken with them as he had a minute before, and even thrust his feelings upon them. And where had these feelings come from? On the contrary, if the room were now suddenly filled not with policemen but with his foremost friends, even then, he thought, he would be unable to find a single human word for them, so empty had his heart suddenly become. A dark sensation of tormenting, infinite solitude and estrangement suddenly rose to consciousness in his soul. It was not the abjectness of his heart's outpourings before Ilya Petrovich, nor the abjectness of the lieutenant's triumph over him, that suddenly overturned his heart. Oh, what did he care now about his own meanness, about all these vanities, lieutenants, German women, proceedings, offices, and so on and so forth! Even if he had been sentenced to be burned at that moment, he would not have stirred, and would probably not have listened very attentively to the sentence. What was taking place in him was totally unfamiliar, new, sudden, never before experienced. Not that he understood it, but he sensed clearly, with all the power of sensation, that it was no longer possible for him to address these people in the police station, not only with heartfelt effusions, as he had just done, but in any way at all, and had they been his own brothers and sisters, and not police lieutenants, there would still have been no point in addressing them, in whatever circumstances of life. Never until that minute had he experienced such a strange and terrible sensation. And most tormenting of all was that it was more a sensation than an awareness, an idea; a spontaneous sensation, the most tormenting of any he had yet experienced in his life. (Crime and Punishment by Fyodor Dostoevsky, Knopf Paperback edition , 1992, pp. 103-104.)
Although murder is (presumably) a far more affecting crime than adultery, this is the sort of reaction Scarlett would surely feel as a consequence of her going through with the tryst. If you've read my post on What's Causing These Emotions, you might remember that an important theory on this subject comes from cognitive psychology which says emotions are reactions to cognitive appraisals. Somewhere in his conscious or unconscious thinking, Raskolnikov knows he did wrong and so a "tormenting sensation" of guilt arises in him. Scarlett knows beforehand that an adulterous night would be wrong, so she too would be afflicted with this kind of torment. We've all seen sitcoms or movies where an adulterous partner confesses his or her actions to their ignorant partner, only to be told they only acted selfishly to reduce their own pain and spread it to another. Now we see why. And hopefully are never tempted by someone on our laminated list...
What do you think? Any other reasons Scarlett shouldn't go through with it? Or maybe you think she should? Let me know in the comments below. Only a few opportunities to do so left!